Should You Pay to Make a Book About Success a Success?
Finances are rarely as they seem.
The sports media blasts $100 million dollar deal headlines on an almost daily basis. But it’s only been in recent years that they began drawing the distinction between the guaranteed portions versus the purely imaginary Monopoly money the player will never actually receive. While basketball and baseball contracts are locked in, football contracts can be broken at any time by the team.
The entertainment media reports huge recording contracts, without referencing that the deal also covers merchandising and tour support. A band might “receive” a certain amount of cash in their agreement, but that pays for their studio time and tour bus rental, as opposed to pure profit.
Of course, lawyers, agents, assistants, and everyone else takes their cut as well.
As a result, we often assume that people have more money than they do. Just because TMZ and other outlets reported that Farrah Abraham “struck a deal” for almost a million dollars for fucking in a fake amateur sex tape doesn’t mean the Teen Mom star is depositing a check for exactly seven figures any time soon.
All of which is to say, I get it. You might seem like a big time player in a particular industry, but that doesn’t mean you’ve got piles of cash buried in the backyard, ready to be invested at a moment’s notice. Whatever your accomplishments may be, your bank account might not line up accordingly. Once again, I get it. But I’ll be goddamned if I can understand why we should subsidize a self-described successful Hollywood producer’s efforts to publish a book about becoming a successful screenwriter.
GalleyCat reported that Gary W. Goldstein, producer of Pretty Woman, The Mothman Prophecies, and other movies launched a Kickstarter campaign to raise $12,000 to self-publish a book described as a “practical roadmap of every insider strategy I’ve learned on how to make it in Hollywood as a successful screenwriter.”
Let’s highlight the keywords and phrases in that description: “insider” and “make it” and “successful.”
In fact, the word “successful” is used about five times in the Kickstarter profile. Doesn’t this conjure images of someone who can make an investment in their own business and product? Maybe he’s not cruising a Bentley up and down the PCH on the way to his Malibu pad, but at least you’d think someone choosing to self-publish would, ya know, cough up the money to pay for self-publishing. I suppose you could argue that Goldstein’s fundraising effort is, on a small scale, precisely what a producer does: he seeks and puts together money from a variety of sources. Leveraging other people’s cash is old hat to Hollywood folks (and Wall Street) so maybe that’s what’s going on here.
Goldstein’s IMDB profile doesn’t show any projects since 2002 so maybe he’s hit a dry spell. Which doesn’t necessarily negate his knowledge and expertise on the subject. We’ve all gone through fallow periods or maybe changed careers and direction.
But the whole online fundraising thing is simply out of hand. No longer relegated to truly indie projects, charitable efforts, low budget start ups, and outrageous, outlandish flights of fancy, now Kickstarter and Indiegogo are employed to make a success of how-to-be-successful book from a success guru?