Here’s the kind of inside information that separates the truly knowledgeable insiders from the writers who just learn from Wikipedia.
In “David Simon on Baltimore’s Anguish shares amazingly detailed knowledge of the cop beat and the unwritten codes of behavior that, in years gone by, governed interactions between the “good guys” and the “bad guys.”
Simon explains a concept called “humbles” when someone could spend a night in jail primarily because they stepped out of line and needed to be, in the eyes of the police, humbled. Simon isn’t defending this cultural construct, but just explaining the way it worked.
Check out this amazing bit of professional guidelines: “In some districts, if you called a Baltimore cop a motherfucker in the 80s and even earlier, that was not generally a reason to go to jail. If the cop came up to clear your corner and you’re moving off the corner, and out of the side of your mouth you call him a motherfucker, you’re not necessarily going to jail if that cop knows his business and played according to code. Everyone gets called a motherfucker, that’s within the realm of general complaint. But the word “asshole” — that’s how ornate the code was — asshole had a personal connotation. You call a cop an asshole, you’re going hard into the wagon in Baltimore.”
Here again, Simon isn’t necessarily saying this is a good thing. But what a fascinating observation. That’s the kind of insider information that distinguishes Richard Price novels.
And that’s something all writers should strive for…